NTISthis.com

Evidence Guide: CUADAN404A - Develop expertise in bodyweather and butoh dance technique

Student: __________________________________________________

Signature: _________________________________________________

Tips for gathering evidence to demonstrate your skills

The important thing to remember when gathering evidence is that the more evidence the better - that is, the more evidence you gather to demonstrate your skills, the more confident an assessor can be that you have learned the skills not just at one point in time, but are continuing to apply and develop those skills (as opposed to just learning for the test!). Furthermore, one piece of evidence that you collect will not usualy demonstrate all the required criteria for a unit of competency, whereas multiple overlapping pieces of evidence will usually do the trick!

From the Wiki University

 

CUADAN404A - Develop expertise in bodyweather and butoh dance technique

What evidence can you provide to prove your understanding of each of the following citeria?

Maintain a physical conditioning program

  1. In consultation with relevant personneluse a balanced range of mind and body, and muscle and bone exercises to improve stamina, strength and coordination
  2. In consultation with relevant personnel use Manipulations 1-7 to engender flexibility, alignment and comprehension of physical structure and mechanics while monitoring change
  3. Set realistic physical conditioning goals aimed at improving own dance technique
  4. Identify risk factors that may inhibit the achievement of goals and seek professional advice as required
  5. Take fatigue, personal limitations and boundaries into account when undertaking physical conditioning program
  6. Always perform warm-up and cool-down activities in conjunction with dance activities
  7. Ensure that clothing and footwear are appropriate for undertaking exercise regime and practising dance technique
In consultation with relevant personneluse a balanced range of mind and body, and muscle and bone exercises to improve stamina, strength and coordination

Completed
Date:

Teacher:
Evidence:

 

 

 

 

 

 

 

In consultation with relevant personnel use Manipulations 1-7 to engender flexibility, alignment and comprehension of physical structure and mechanics while monitoring change

Completed
Date:

Teacher:
Evidence:

 

 

 

 

 

 

 

Set realistic physical conditioning goals aimed at improving own dance technique

Completed
Date:

Teacher:
Evidence:

 

 

 

 

 

 

 

Identify risk factors that may inhibit the achievement of goals and seek professional advice as required

Completed
Date:

Teacher:
Evidence:

 

 

 

 

 

 

 

Take fatigue, personal limitations and boundaries into account when undertaking physical conditioning program

Completed
Date:

Teacher:
Evidence:

 

 

 

 

 

 

 

Always perform warm-up and cool-down activities in conjunction with dance activities

Completed
Date:

Teacher:
Evidence:

 

 

 

 

 

 

 

Ensure that clothing and footwear are appropriate for undertaking exercise regime and practising dance technique

Completed
Date:

Teacher:
Evidence:

 

 

 

 

 

 

 

Use practice sessions to increase level of expertise in bodyweather and butoh dance techniques

  1. Practise a range of techniques and exercises in preparation for bodyweather and butoh dance performances
  2. Work on generating the mind and body, and muscle and bone engine
  3. Develop individual and group sensitivity and awareness parallel to spatial responsibility
  4. Practise Manipulations 1-7 with different partners and alone
  5. Develop a high level of proficiency in GroundWork exercises
  6. Work towards achieving precise motoric, graphic, sculptural and spatial parameters in performances
  7. Develop expertise in executing specific image sequences
  8. Experiment with new movements and routines to create unique form and sensitivity
  9. Work on control and attention to detail in practice sessions
Practise a range of techniques and exercises in preparation for bodyweather and butoh dance performances

Completed
Date:

Teacher:
Evidence:

 

 

 

 

 

 

 

Work on generating the mind and body, and muscle and bone engine

Completed
Date:

Teacher:
Evidence:

 

 

 

 

 

 

 

Develop individual and group sensitivity and awareness parallel to spatial responsibility

Completed
Date:

Teacher:
Evidence:

 

 

 

 

 

 

 

Practise Manipulations 1-7 with different partners and alone

Completed
Date:

Teacher:
Evidence:

 

 

 

 

 

 

 

Develop a high level of proficiency in GroundWork exercises

Completed
Date:

Teacher:
Evidence:

 

 

 

 

 

 

 

Work towards achieving precise motoric, graphic, sculptural and spatial parameters in performances

Completed
Date:

Teacher:
Evidence:

 

 

 

 

 

 

 

Develop expertise in executing specific image sequences

Completed
Date:

Teacher:
Evidence:

 

 

 

 

 

 

 

Experiment with new movements and routines to create unique form and sensitivity

Completed
Date:

Teacher:
Evidence:

 

 

 

 

 

 

 

Work on control and attention to detail in practice sessions

Completed
Date:

Teacher:
Evidence:

 

 

 

 

 

 

 

Maintain expertise

  1. Continuously practise and refine combinations of complex movement parameters
  2. Maintain and update knowledge of bodyweather and butoh dance terminology
  3. Use feedback from teachers and mentors to identify and develop ways to improve own bodyweather and butoh dance performance skills
  4. Regularly view performances by industry practitioners as a way of sourcing new ideas and trends, maintaining motivation, and improving own technique
Continuously practise and refine combinations of complex movement parameters

Completed
Date:

Teacher:
Evidence:

 

 

 

 

 

 

 

Maintain and update knowledge of bodyweather and butoh dance terminology

Completed
Date:

Teacher:
Evidence:

 

 

 

 

 

 

 

Use feedback from teachers and mentors to identify and develop ways to improve own bodyweather and butoh dance performance skills

Completed
Date:

Teacher:
Evidence:

 

 

 

 

 

 

 

Regularly view performances by industry practitioners as a way of sourcing new ideas and trends, maintaining motivation, and improving own technique

Completed
Date:

Teacher:
Evidence:

 

 

 

 

 

 

 

Assessed

Teacher: ___________________________________ Date: _________

Signature: ________________________________________________

Comments:

 

 

 

 

 

 

 

 

Instructions to Assessors

Evidence Guide

The evidence guide provides advice on assessment and must be read in conjunction with the performance criteria, required skills and knowledge, range statement and the Assessment Guidelines for the Training Package.

Overview of assessment

Critical aspects for assessment and evidence required to demonstrate competency in this unit

Evidence of the ability to:

consistently execute basic mind and body, and muscle and bone, exercises from three main groupings

demonstrate Manipulations 1-7 with a partner

perform at least two bodyweather and butoh dance sequences in a way that demonstrates:

well-developed bodyweather and butoh dance technique

creative response to parameters

confident performance skills

cooperative performance of group choreography

respond appropriately to constructive feedback on own performance

follow safe dance practices.

Context of and specific resources for assessment

Assessment must ensure access to:

appropriate dance performance areas or spaces

relevant resources and equipment.

Method of assessment

A range of assessment methods should be used to assess practical skills and knowledge. The following examples are appropriate for this unit:

direct questioning combined with review of portfolios of evidence

third-party workplace reports of on-the-job performance

evaluation of choreographic notation used

verbal or written questioning to test knowledge as listed in the required skills and knowledge section of this unit

case studies and scenarios as a basis for discussion of issues and challenges that arise in the context of performing bodyweather and butoh dance

evaluation of live or recorded performances

direct observation of candidate in rehearsals and performances.

Assessment methods should closely reflect workplace demands (e.g. literacy) and the needs of particular groups (e.g. people with disabilities and people who may have literacy or numeracy difficulties, such as speakers of languages other than English, remote communities and those with interrupted schooling).

Guidance information for assessment

Holistic assessment with other units relevant to the industry sector, workplace and job role is recommended, for example:

CUADAN402A Improvise an advanced dance sequence

CUADAN407A Develop expertise in dance performance skills

CUAPRF404A Refine movement skills for performance.

Required Skills and Knowledge

Required skills

communication skills to:

discuss dance and physical conditioning issues with relevant personnel

respond appropriately to feedback on own skill development

initiative and enterprise skills to:

work creatively with dance movements parallel to sound, installation and lighting elements

dance with precision, commitment and presence

communicate the mood loading to audiences

improvise short bodyweather and butoh dance environments

choreograph short dance sequences for self and for others

observe and interpret physical skills

identify and apply relevant aspects of the bodyweather and butoh culture and history in performances

learning skills to:

develop strong bodyweather and butoh dance techniques through:

practising complex movements and routines

a positive and committed attitude to dancing

develop and implement a personal physical conditioning program based on:

mind and body, and muscle and bone engine

Manipulations 1-7

GroundWork exercises

develop and demonstrate movement memory

listening skills to maintain:

clear movement parameters

linguistic direction and exchange

sensitivity

awareness and creativity in movement sequences

planning and organising skills to plan practice time

self-management skills to:

arrive punctually at classes

dress appropriately

observe dance discipline and follow direction

apply safe dance practices

teamwork skills to work collaboratively with others involved in dance classes and performances.

Required knowledge

well-developed knowledge of:

principles underlying dance movements and techniques, such as:

relationship with gravity

spatial awareness

successional movement

use of breath

isolations

extremity of enlargement and diminution, expansion and reduction

internal and external points, trajectories, planes and geometries

rotating

shifting weight

anatomical foundations, including:

articulation of the spine

precision of anatomy trains and daisy-chaining

engagement of the feet and knees

bases of support, including feet, legs, hands, arms and torso

range of motion of the joints

differentiation of the legs and pelvis

importance of healthy food choices in relation to wellbeing and injury prevention, including five food groups and recommended daily amounts

bodyweather and butoh dance terminology

stage geography and directions

musical rhythms, including:

time signatures

beat

tempo

syncopation

overview knowledge of:

history and philosophical principles of bodyweather and butoh

ways of notating bodyweather and butoh dance.

Range Statement

The range statement relates to the unit of competency as a whole. It allows for different work environments and situations that may affect performance. Bold italicised wording, if used in the performance criteria, is detailed below. Essential operating conditions that may be present with training and assessment (depending on the work situation, needs of the candidate, accessibility of the item, and local industry and regional contexts) may also be included.

Relevant personnel may include:

teachers

mentors

coaches

medical practitioners

nutrition experts

colleagues

family members

performers

representatives of dance societies.

Risk factors may relate to:

consistency of a physical fitness regime

own ambition

expectations of others

gender issues

body image and eating disorders

insufficient hydration

poor nutrition

effect of different ground surfaces, such as:

concrete or hard floor or uneven outside surface

moving float

podium or raised platform

runway

slippery floor

sloping surface

sticky floor

incorrectly fitting or inappropriate footwear

injury-prevention strategies

gender-appropriate performance techniques.

Warm-up and cool-down activities may include:

stretching

joint-mobility exercises

flexibility exercises

aerobic activities

anaerobic exercises

coordinated breathing activities

floor work.

Appropriate clothing and footwear may relate to:

non-restricting clothing

footwear that:

distributes load

absorbs impact

supports the foot.

Techniques and exercisesmay relate to practising:

correct posture, weight placement and alignment

control in locomotor steps and movements, such as:

start and stop

varying tempi

leading with left as well as right foot

interchangeable directions, such as clockwise and anticlockwise

weight transfer:

falling

releasing

balancing

executing jumps and landings

elevation, including complex steps of low, medium and high elevation

isocentric and polycentric isolations

isolation techniques of increasing complexity, such as isolating, controlling and releasing two or more different parts of the body simultaneously

transferring and applying physical parameters from one body area to another

using physical and spatial imaging

demonstrating an awareness of personal and collective space when travelling and stationary

pair and group work

working in cohesive partnership with a peer

providing clear and informed observation and feedback

spatial relationship

navigation

coordination of multiple movements, including speech

examination of movements at different speeds

energetic change.

Performancesmay be:

live before an audience

in a learning environment.

Movement parametersdraw directly on GroundWork exercises and may include:

textures

densities

microclimates

spaces

speeds

scales

isolation principles

internal and external graphic principles

connection principles

points and trajectories

focal points

trajectories

leaps

fields

spatial definitions

internal and external spatial zones

string principles

daisy-chain principles

puppet principles

carbon copy principles

specific image flow with shifting ground

omni-central imaging

environments:

human

animal

natural phenomena

inanimate objects

eight emotional states.

Terminologymay include:

manipulated body

Bisoku

mirror

stop-motion

wind

daisy-chain

blind

string

shoal

swarm

framing

isolation

singing

grid 2-D

grid 3-D

zones

elements and properties.