The important thing to remember when gathering evidence is that the more evidence the better - that is, the more evidence you gather to demonstrate your skills, the more confident an assessor can be that you have learned the skills not just at one point in time, but are continuing to apply and develop those skills (as opposed to just learning for the test!). Furthermore, one piece of evidence that you collect will not usualy demonstrate all the required criteria for a unit of competency, whereas multiple overlapping pieces of evidence will usually do the trick!
From the Wiki University
What evidence can you provide to prove your understanding of each of the following citeria?
Maintain a physical conditioning program
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In consultation with relevant personneluse a balanced range of mind and body, and muscle and bone exercises to improve stamina, strength and coordination Completed |
Evidence:
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In consultation with relevant personnel use Manipulations 1-7 to engender flexibility, alignment and comprehension of physical structure and mechanics while monitoring change Completed |
Evidence:
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Set realistic physical conditioning goals aimed at improving own dance technique Completed |
Evidence:
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Identify risk factors that may inhibit the achievement of goals and seek professional advice as required Completed |
Evidence:
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Take fatigue, personal limitations and boundaries into account when undertaking physical conditioning program Completed |
Evidence:
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Always perform warm-up and cool-down activities in conjunction with dance activities Completed |
Evidence:
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Ensure that clothing and footwear are appropriate for undertaking exercise regime and practising dance technique Completed |
Evidence:
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Use practice sessions to increase level of expertise in bodyweather and butoh dance techniques
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Practise a range of techniques and exercises in preparation for bodyweather and butoh dance performances Completed |
Evidence:
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Work on generating the mind and body, and muscle and bone engine Completed |
Evidence:
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Develop individual and group sensitivity and awareness parallel to spatial responsibility Completed |
Evidence:
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Practise Manipulations 1-7 with different partners and alone Completed |
Evidence:
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Develop a high level of proficiency in GroundWork exercises Completed |
Evidence:
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Work towards achieving precise motoric, graphic, sculptural and spatial parameters in performances Completed |
Evidence:
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Develop expertise in executing specific image sequences Completed |
Evidence:
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Experiment with new movements and routines to create unique form and sensitivity Completed |
Evidence:
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Work on control and attention to detail in practice sessions Completed |
Evidence:
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Maintain expertise
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Continuously practise and refine combinations of complex movement parameters Completed |
Evidence:
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Maintain and update knowledge of bodyweather and butoh dance terminology Completed |
Evidence:
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Use feedback from teachers and mentors to identify and develop ways to improve own bodyweather and butoh dance performance skills Completed |
Evidence:
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Regularly view performances by industry practitioners as a way of sourcing new ideas and trends, maintaining motivation, and improving own technique Completed |
Evidence:
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